Designer Matt Kinley initially planned to hold a concert-style production not unlike the Les Misérables 25th anniversary concert at the O2 Arena, but Mackintosh made it clear the show would be fully staged, as both he and Lloyd Webber felt it would not work unless it was the whole show. But none of those witnesses had until that day thought that there was any reason for connecting the more or less legendary figure of the Opera ghost with that terrible story.To mark the milestone of 25 years, Andrew Lloyd Webber and Cameron Mackintosh planned a special 3-day production to take place at London's Royal Albert Hall in October 2011. The events do not date more than thirty years back and it would not be difficult to find at the present day, in the foyer of the ballet, old men of the highest respectability, men upon whose word one could absolutely rely, who would remember as though they happened yesterday the mysterious and dramatic conditions that attended the kidnapping of Christine Daae, the disappearance of the Vicomte de Chagny and the death of his elder brother, Count Philippe, whose body was found on the bank of the lake that exists in the lower cellars of the Opera on the Rue-Scribe side.

When I began to ransack the archives of the National Academy of Music I was at once struck by the surprising coincidences between the phenomena ascribed to the 'ghost' and the most extraordinary and fantastic tragedy that ever excited the Paris upper classes and I soon conceived the idea that this tragedy might reasonably be explained by the phenomena in question. Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom that is to say, of a spectral shade. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge. IN WHICH THE AUTHOR OF THIS SINGULAR WORK INFORMS THE READER HOW HE ACQUIRED THE CERTAINTY THAT THE OPERA GHOST REALLY EXISTED

The phantom of the opera 2004 download